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After Rain: Stories, by William Trevor
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After Rain - Twelve remarkable stories by the master storyteller William Trevor 'There is no better short story writer in the English-speaking world' Wall Street Journal In this collection of twelve dazzling, acutely rendered tales, William Trevor plumbs the depths of the human heart. Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, 'a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so.' Conscious or not, he touches us in ways that few writers even dare to try. If you enjoyed The Story of Lucy Gault and Love and Summer, you will love this book. It will also be adored by readers of Colm Toibin, George Saunders and James Joyce. William Trevor was born in Mitchelstown, County Cork. He has written eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature. His books in Penguin are: After Rain; A Bit on the Side; Bodily Secrets; Cheating at Canasta; The Children of Dynmouth; The Collected Stories (Volumes One and Two); Death in Summer; Felicia's Journey; Fools of Fortune; The Hill Bachelors; Love and Summer; The Mark-2 Wife; Selected Stories; The Story of Lucy Gault and Two Lives.
- Sales Rank: #465072 in eBooks
- Published on: 1997-10-01
- Released on: 1997-10-01
- Format: Kindle eBook
Amazon.com Review
After Rain consists of 12 short stories of love and disillusion by one of the current masters of fiction, William Trevor. Among the stories are "The Piano Tuner's Wife," which tells of a woman who lies to her blind husband; "Marrying Damian," in which an elderly married couple overlook their past differences; and the title story, a tale of a woman's vacation in Italy and the revelations of her heart. Each carefully crafted story offers a glimpse into another world that somehow reminds us of our own.
From Publishers Weekly
There are few contemporary writers who can match the quiet dignity with which Trevor embues his writing, or his command of the short story form. After last year's remarkable novel, Felicia's Journey, he returns here to more mundane lives. These 12 tales stay well within the bounds of conventional storytelling: there are no fractured narratives or disjointed memories delivered solely for effect. Instead, each of these stories pursues a classic but effective structure: a thinly held equilibrium is disturbed, leading first to a general collapse, then to an emotional plateau in which something vital has changed. In "A Friendship," Francesca, an unhappy housewife, begins an affair with an old acquaintance. The liaison does not lead to the expected dissolution of her marriage but, instead, to a loss of another part of her life. In "The Potato Dealer," an unplanned pregnancy forces a young woman into a marriage of convenience with a middle-aged potato trader. Though never loving, the union achieves a type of friendship; a friendship that is then irrevocably broken by the revelation of secrets. The domestic vein of most of these stories is epitomized by "The Piano Tuner's Wives," in which a second marriage's competition with the first is handled with lyricism and a haunting simplicity, and by "Marrying Damian," in which a couple must struggle to accept their daughter's love affair with their friend, a middle-aged roustabout. Politics, too, finds its way into current lives. In "Lost Ground," the collection's longest tale, the troubles in Northern Ireland provide the impetus for a young boy's tragic death. Each of these stories is rendered with Trevor's characteristic economy. The deft handling of information, as well as the exquisite sense of control, again show Trevor as a brilliant master of his craft.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
In the title story of this collection, Trevor says, "It was after rain that the angel came: those first cool moments were a chosen time." Each of these 12 stories have a chosen time. First, characters are introduced?a blind piano tuner and his manipulative second wife, a gay man and the parents he resents, two children scarred by divorce?and the rain in their relationships revealed. Then there is a moment of understanding. As in Trevor's latest (Felicia's Journey, LJ 12/94)?a best seller that enhanced his oeuvre of 22 books, many of them prize winners?tension and the revelations that come with it are skillfully brought to the reader's attention. Some of these stories have been previously published in magazines, but all of them are well constructed and offer the reader insights into the nature of conflict and resolution. Essential for larger literary collections.?Joshua Cohen, Mid-Hudson Lib. Sys., Poughkeepsie, N.Y.
Copyright 1996 Reed Business Information, Inc.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Ten (variably) fine stories and two out-and-out masterpieces
By Eric J. Matluck
Like Grieg in the musical sphere, and Cheever in the literary one, William Trevor seems to be at his best in the smaller forms, where his sharply etched insights and compellingly profound characterization can glitter without the "imposition" of relaxation dictated by the novel. Reading his "Collected Stories" was among my favorite literary "events" of the past 20 years (since reading, of all things, Dreiser's "An American Tragedy" [talk about strange bedfellows!]), and if the present volume seems a bit less well-stocked with masterpieces than the earlier, larger collection, it also shows Trevor polishing his craft to an almost superhuman degree. Every word tells.
A couple of the stories in "After Rain" struck me as surprisingly weak: "The Piano Tuner's Wives," in which an elderly man's second wife contrives to distort his happy memories of his first, seemed architecturally imbalanced: the second wife was drawn with less fecundity than the first and as a result the cutting insights of the story's end seemed like the proverbial "too little, too late." The other relative disappointment for me was "A Day," in which a married woman meditates on her husband's infidelity. Maybe it was that the central character seemed annoyingly passive, but to my mind Trevor added little to a situation that has been visited many times before.
The bulk of the remainder of the stories was exceptionally fine, though, particularly "A Friendship," which limns the dissolving of a lifelong relationship between two women at one of their husband's instigation.
However, the real gems of the collection, in my opinion, were "Child's Play" and "Lost Ground," which may be among the finest short stories written. The first is spare and knife-edged, the second weighty and full of tragedy. In "Child's Play," two children of divorce play act, with uncanny accuracy, their parents' sordid affairs, but when something happens to threaten the children's own relationship, their sudden reversion to reality proves more poignant and devastating than any play they can put on. "Lost Ground," the longest and perhaps greatest story in the collection, tells the tale of a Protestant family, one of whose sons is visited by, and asked to carry the word of, a Catholic saint. By encapsulating the religious conflicts in Northern Ireland in the guise of a single family, Trevor manages to comment on the intolerance of humankind while presenting a family drama of piercing sorrow.
I read recently that some people find Trevor's works offputtingly depressing. Maybe so; there are no happy endings here and virtually no happy people. Perhaps his truths are just too painful for a few to face. But then, sometimes, life is that way too.
0 of 0 people found the following review helpful.
William Trevor's short stories are all good, but the ones in this book are superb ...
By Patricia Neukom
William Trevor's short stories are all good, but the ones in this book are superb if devastating. He's a modern James Joyce.
0 of 0 people found the following review helpful.
Four Stars
By Hoolihan
I'M NO JUDGE OF ANYONE ELSES WRITING..
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