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• Sales Rank: #6093664 in Books
• Published on: 1980
• Binding: Paperback
• 321 pages

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• Published on: 1656
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• Sales Rank: #2811674 in Books
• Published on: 1999-01-01
• Original language: English
• Binding: Paperback

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45 of 45 people found the following review helpful.
A Very Useful Handbook
By Timothy Walker
It's beyond cliché to say that a book has changed your life, but this little handbook - a supplemental art history text, of all things - ranks with scripture and great literature as one of the most personally beneficial books I've ever read. This may say more about me than the book, of course, but if you are the sort of person who finds it difficult to think about art, let alone talk or write about it, then perhaps this will give you hope.
Professor Sayre starts this handbook with a simple thesis: everyone could write about art, if only they knew where to start. To prove his point, Sayre chooses pieces that most laypeople would consider indescribable (like the abstractions of Jackson Pollock) and teaches the reader, slowly but surely, how to really look at the work. With subsequent lessons on choice, composition, and color, even the most "non-artistic" thinkers will begin to see things in a different light... and then Professor Sayre will then teach you how to put those thoughts into words.
If you are privileged enough to attend a school where the humanities are still actively taught, you owe it to yourself to pick up a copy of this book - your papers and grades will doubtlessly improve. But even if your chances of ever taking an art appreciation class are slim, if you have any interest in the subject at all, then I highly recommend this book.

0 of 0 people found the following review helpful.
So far Ive found nothing better!
By Michelle M. Davis
This book is invaluable. In this very slim volume he shows students how to write about, think about, make choices about, and see art. So far Ive found nothing better!

0 of 0 people found the following review helpful.
... being very sticky on the back it is in great condition.
By thefab4crew
Other than the book being very sticky on the back it is in great condition.

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• Published on: 1958
• Binding: Paperback

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• Sales Rank: #13242203 in Books
• Published on: 1996
• Binding: Paperback

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Albee's Pulitzer Prize-winning play--winner of the 1996 Tony Award for Best Revival of a Play--is now available in a trade paperback edition. A dark comedy about unfulfilled lives, broken promises, and family jealousies, A Delicate Balance has just been revived to triumphant acclaim at Lincoln Center's Plymouth Theatre in New York City.

• Sales Rank: #537781 in Books
• Published on: 1997-01-01
• Released on: 1997-01-01
• Original language: English
• Number of items: 1
• Dimensions: 7.26" h x .62" w x 6.20" l, .0 pounds
• Binding: Paperback
• 192 pages

About the Author
Edward Albee's plays include The Zoo Story (1958), The American Dream (1960), Who's Afraid of Virginia Woolf? (1961 62, Tony Award), Tiny Alice (1964), A Delicate Balance (1966, Pulitzer Prize, and Tony Award, 1996), Seascape (1974, Pulitzer Prize, also available from Overlook), Three Tall Women (1994, Pulitzer Prize), and The Play About the Baby (2001, also available from Overlook). He was awarded the Gold Medal in Drama from the American Academy and Institute of Arts and Letters in 1980, and in 1996 he received both the Kennedy Center Honors and the National Medal of Arts.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Nice Play!
By Tom White
To date, Edward Albee has won three Pulitzer prizes, has written one of the most famous plays ever--WHO'S AFRAID OF VIRGINIA WOOLF? (surprisingly not among the three)--and also has written the most famous one-act ever, THE ZOO STORY. A DELICATE BALANCE is one of the Pulitzer winners; anyone who cares about theatre will love this. In performance an electrifying evening, it is also a darn good read--again and again. A tragedy at times hilarious, the stylized piece is an examination of friendship contrasted with family, in which the playwright creates six delicous characters--roles actors especially love and often perform brilliantly. Katherine Hepburn's filmed version comes to mind--a near perfect expression of the matriarch Agnes, who has several problems: her alcoholic sister is drinking in the living room, her daughter is coming home after a failed 4th marriage, and her friends Edna and Harry have decided to move in because they are "afraid" of something. Agnes's husband Tobias is polite, detached, and reasonable. Against bristling tension, the author uses drunken Claire as comic counterpoint to brilliant effect, giving her an accordion (of all things) as prop with which to accent and poke fun. (There's a wonderful sight gag near the end where this character, who isn't supposed to have one drink, is discovered holding two.) We also smile when mousy Edna tries to re-decorate Agnes's home and speaks to the divorcing Julia as if she were her own daughter. (How easily shyness moves to assertiveness, then imperceptibly to cruelty.) So we laugh to keep from crying--but laugh we do! And although Agnes is unforgettable, nevertheless it is Tobias who gets the climactic "aria," an attempt to put his house in order. The dramatist calls our bluff on what we mean by "friends," fusing big ideas in three elegant acts, crystallizing mysterious beauty from carefully chosen words. The result is a theatrical touchstone, one of Edward Albee's many masterpieces, a magnificent gem of a play.

8 of 9 people found the following review helpful.
One of Albee's Best
By A Customer
Albee, the playwright who invented one of the more complicated and vivid relationships ever in a play in ZOO STORY, has again demonstrated his intimate knowledge of the deeper motives behind human interaction. Every interaction between characters in this play -- from long monologues to short snippets of conversation -- has behind it some manner of conflict.
Everybody in this play needs change, and can only reach it through the destruction of others; Tobias and Agnes who simply want to be left alone, but whose house has been invaded; Julia, the daughter who is betrayed by the fact that her parents gave away her room; Claire, who wants only to excercise her right to a good time; Edna and Harry who aren't quite sure what they need, and subsequently frustrate everyone else.
This is a very heavy play, but written in a such a way that is has the guise of being a comedy. A must-read for anybody that loves drama.

13 of 18 people found the following review helpful.
READ IT READ IT READ IT READ IT READ IT
By A Customer
I am writing ANOTHER review because I CANNOT EXPRESS to you how wonderful this play is. I just read it for the second time. It is one of the three best plays I have every read in my life, and believe me, I have read all the plays worth reading. This is almost as good as "Who's Afraid of Virginia Woolf?" Once again, I love love love love love this play and all the characters. There is a movie. Don't see it. The play is better. Read the play. There are many great moments: Tobias' "cat speech," Tobias' memorable four-page closing speech, all of Act Two Scene Two, all of Act Three, Claire's disturbing interpretation of what it's like to be an alcoholic...they go on and on. This is my theory of what the play is about essentially: this is the story of a family who does nothing all day but sit and drink and b*tch about how terrible their lives are. They have lots of money. They have good friends and a good family. But they have let their lives go to waste. They've let life pass them by. Now they are old and sit back and realize how much they've missed. But not before much turmoil and anger are let out. There are a husband and wife in the play who sleep in separate beds, until one night, for lack of room, they are forced to sleep together and they realize: THEY LIKE IT. But they have wasted years and years of sleeping in separate beds. Am I rambling like a lunatic? Sorry. Just read it please or else I have typed all of this for no reason at all.

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